Khatia Buniatishvili: Beyoncé of Piano?
Georgian pianist Khatia Buniatishvili |
April Gibson and Nina Kennedy both contributed to this article to share their respective insights and opinions. April grew up listening to Hip Hop, Pop, R&B, and Hair Bands. Nina, herself a classical pianist, grew up listening to jazz and R&B, as well as symphonies and opera.
Nina: While living in Paris I got in
the habit of watching the news channel “France24,” and was delighted to find
that I continued having access to France24 here in Manhattan. Now that most
American news channels have become The Trump Show, I became more dependent on
France24 to be able to hear some authentic international news. One day this
summer while going about my business with the TV on, I heard the news anchor
announce a feature story on “The Beyoncé of the Piano.” I stopped what I was
doing to sit down and watch.
The subject of this segment was world-renowned Georgian pianist Khatia Buniatishvili, who has been referred to as "The Beyoncé of the Piano" and dubbed the "Pop Star Pianist." Yes she is curvy and wears
form-fitting gowns, so I’m left to assume that her self-proclaimed title of “Beyoncé
of the Piano” has more to do with her figure than her status as a pop icon.
After reading some of her reviews, however, I’m left wondering if this title
has done her more harm than good. Granted, many classical music critics are
quite misogynist and will do what they can to sabotage the careers of women
pianists, so one should take their words with a grain of salt. It pained me to
read how venomous some of these critics were. The few seconds of music I heard
during the France24 feature showed me that she is a talented artist worthy of
respect as a concert pianist, and not just a caricature with a shapely body.
April: I wanted to learn more about how this
title came about. Though not a full-fledged member of the Bee Hive, I couldn’t
help but “feel some type of way” about this title possibly being bestowed upon
someone outside of the community of the person who owns it. How many times has
the Black community given birth to and popularized a music genre or concept
only to have the concept usurped, commercialized and, in some cases, stolen.
Nina: In my own personal experience, being
from Nashville, Tennessee with deeply-rooted ties to the Fisk University Music
Department and the Fisk Jubilee Singers, I’ve seen first-hand how this works.
After all, the beloved Music City was coined that by Queen Victoria in 1872
when she heard the Fisk Jubilee Singers, the first freed slaves who traveled
through Europe singing European-styled Negro Spirituals in an effort to raise
money for their school. (Her exact quote was: “They [the Fisk Jubilee Singers]
sing so beautifully they must be from the Music City.”) And now, when people
hear the words “Music City” they think it’s all about country music.
April: I started combing through articles
about Khatia to get to the bottom of this. The
Georgian Journal has written about her extensively, so I started there. I
noticed something uncanny. There is a distinct moment in time when the phrase starts
to pop-up and it is directly following an article announcing ColdPlay’s album
that feature both Beyoncé and Khatia performing/collaborating on separate
songs. Soon after that article, The
Georgian Journal started calling Khatia the “Beyoncé of the Piano” with
France24 soon following suit. So, did Beyoncé meet her and say, “You are like
the ‘Beyoncé of the Piano’?!” We reached out to Bae’s camp but we did not
receive a comment at the time this article was scheduled to post. Did the Bee
Hive grant Khatia the coveted title? I could not find the phrase used in one
single American article that speaks about Khatia. Therefore, I can only come to
the conclusion that this title is self-proclaimed.
April: It’s not like we have never seen white artists to exploit and then
discard black and hip-hop culture in order to stay or become relevant. The most
recent offender of the blacksploitation chronicles is our very own Miley Cyrus,
the Disney sweetheart who used black culture to reinvent her career by
co-opting black culture to use the irreverence and the edginess of the
then-burgeoning trap scene to cement her as an “adult” star. It is a tactic
that countless other cookie-cutter pop stars have used, from Christina
Aguilera’s Dirrty era, to Justin Timberlake’s debut
solo album, Justified. And we
can keep going back in time but I think we get the gist.
Nina: And maybe this wasn’t
Khatia’s intention at all. Maybe she is a victim of her publicist and marketing
team. Maybe she is a willing participant who personally coined the phrase to be
thrust upon the international media machine. As a fellow female classical pianist, I can understand Khatia’s struggle to be
respected for her work and artistry. The way she was introduced in the France24
segment certainly got my attention; and as a result, this article was written.
April: However, as a Black Woman, I do not
respect the manner in which she is trying to establish herself. Hands off Beyoncé!
The newest member of the Bee Hive has spoken!
Since Beyonce is not known for playing any musical instruments, Khatia's performance as a pianist will be vastly different from Beyonce's as a singer. I doubt this 'title' of the "Beyonce Of The Piano" originated from Miss Buniatishvili herself, more probably from observers of her curvaceous figure and her passionate style of playing.
ReplyDeleteBesides, I rather like Khatia's Concerto In 34D Major!